Forum. Plogue’s forum contains almost 44 posts related to Bidule, chipsounds, chipcrusher and chipspeech. Thanks to more than registered members. Note: An online version of this user manual is available here. 2 Tutorial – Using MIDI Connectivity in a Modular Host (Plogue Bidule). This manual teaches you how to produce your own music with B-Step Sequencer on Windows, Mac or iPad. Plogue Bidule (since v) – Podium (since v).

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First lets check that everything is working and you can hear some audio. The level at which the envelope holds while it receives a gate signal. The last 2, random and mutate and great for generating new sounds and variations.

Before we go back up to the main layout, its always wise to label the connectors, so that when you roll your mouse over them you know what they are for. Click on it to select it, then drag the handle which goes into the mixer to manula first input of the filter.

You can add the device by double clicking the entry in the palette or you can drag it bidyle the canvas. Thank you Martin for this great tutorial. When you’re done it should look like this: So when I write 10, it means ten thousand, and if I write The Note Extractor has 1 input and 4 outputs.

Lets put minimum to 50 and maximum to Currently we are using a constant to control the amplitude of the oscillator, but we wont use this anymore so go ahead and delete it. Now we can start to add our envelopes to get better control over the shape of the filter and the amplitude as each note plays.


Now, we can either replace the current inputs to the oscillator with the outputs from the note extractor or we can combine them. Our layout should now look like this at the top: If you see Now connect the output of the oscillator to the mixer. Once thats done, time to play. Here is where we can configure how many voices we want the synth to have and how it chooses what mnaual do when it runs out of voices.

Thank you so much for this tutorial. Its in the same group in the palette as variable so add one to the canvas. First, let’s take an inventory of what we’ll bisule for this.

There is still no sound because the oscillator is running with zero amplitude. The main MIDI section, not the MIDI section within Bbidule Blocks…there are a lot of different pieces available in bidule and it will take some time to get used to what they are and where they live.

It is greatly helpfull. Some polyphonic synths on the market are plain CPU drains as each and every voice consumes resources all of the time. You should now hear majual steady sine wave tone and the layout should look like this: Now we will rename some of them so its clear what they do. It is very customiseable, as you can even specify the maximum polyphony, and both the note stealing and note protection algorithms you need for your specific synth.

Blue inputs maunal have multiple cables connected to them, and when that happens all the numbers coming in are added together. Just to make things clearer, lets rename the cutoff frequency control so we dont get confused between this frequency and the other oscillator frequency control. For this example I’ll choose the instance with 16 outs. Again bidule comes pre-packed with a selection of useful envelope types.


Bidule Tutorial 1 : A Simple Synthesizer – Relive The Future

You should be able to play it again from your midi keyboard and change the settings from its panel. There are a few types of filter available with bidule, each useful for different types of signal filtering. In Bidule you can manuaal the parameters window and map the parameters of Bidule to any VST loaded to the Bidule surface. In there we have minimum and maximum values and a slider to set the value.

Bidule Tutorial 1 : A Simple Synthesizer

To make a synth voice for bidule we have to give it one midi input and 2 audio outputs. If you move your mouse over the cable connecting the oscillator to the mixer, it should highlight. Now, lets add an instance of Bidule to the rack, making sure we pick one of the options with multiple audio outs. They are as follows: Who is online Users browsing this forum: If you are already used to how synthesizers work then you will no doubt realise that these two signals are perfect for controlling the envelopes we will be using to shape the sound.